Cory Is Looking At Things

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Cory Is Looking At Things

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  • healywu:

    oldhollywood:

    Storyboards drawn up by an 11-year-old Martin Scorsese for The Eternal City, an imaginary widescreen Roman epic he dreamed of making. His “cast” included Marlon Brando, Virginia Mayo, Alec Guinness, and Richard Burton. (via)

    Holy shit. Make things, no matter what.

    (via khealywu)

    Tagged: Martin Scorsese Directors

    Posted on December 27, 2011 via Old Hollywood with 920 notes

    Source: oldhollywood

  • oldhollywood:

“It was on purpose that I started looking miserable, humiliated, hounded, and haunted, bedeviled, bewildered, and at my wit’s end. Some other comedians can get away with laughing at their own gags. Not me. The public just will not stand for it. And that is all right with me. All of my life I have been happiest when the folks watching me said to each other, ‘Look at the poor dope, wilya?’
Because of the way I looked on the stage and screen the public naturally assumed that I felt hopeless and unloved in my personal life. Nothing could be farther from the fact. As long back as I can remember I have considered myself a fabulously lucky man. From the beginning I was surrounded by interesting people who loved fun and knew how to create it. I’ve had few dull moments and not too many sad and defeated ones.”
-Buster Keaton, in his autobiography My Wonderful World of Slapstick (1960)
(via)

    oldhollywood:

    “It was on purpose that I started looking miserable, humiliated, hounded, and haunted, bedeviled, bewildered, and at my wit’s end. Some other comedians can get away with laughing at their own gags. Not me. The public just will not stand for it. And that is all right with me. All of my life I have been happiest when the folks watching me said to each other, ‘Look at the poor dope, wilya?’

    Because of the way I looked on the stage and screen the public naturally assumed that I felt hopeless and unloved in my personal life. Nothing could be farther from the fact. As long back as I can remember I have considered myself a fabulously lucky man. From the beginning I was surrounded by interesting people who loved fun and knew how to create it. I’ve had few dull moments and not too many sad and defeated ones.”

    -Buster Keaton, in his autobiography My Wonderful World of Slapstick (1960)

    (via)

    Tagged: 1920s Buster Keaton Silent Directors

    Posted on November 11, 2011 via Old Hollywood with 1,129 notes

    Source: oldhollywood

  • oldhollywood:

Francois Truffaut: Are you in favour of the teaching of cinema in universities?
Alfred Hitchcock: Only on condition that they teach cinema since the era of Méliès and that the students learn how to make silent films, because there is no better form of training. Talking pictures often served merely to introduce the theatre into the studios. The danger is that young people, and even adults, all too often believe that one can become a director without knowing how to sketch a decor, or how to edit.
Truffaut: In your opinion, should a film suggest painting, literature, or music?
Hitchcock: The main objective is to arouse the audience’s emotion and that emotion arises from the way in which the story unfolds, from the way in which sequences are juxtaposed. At times, I have the feeling I’m an orchestra conductor, a trumpet sound corresponding to a close shot and a distant shot suggesting an entire orchestra performing a muted accompaniment. At other times, by using colours and lights in front of beautiful landscapes, I feel I am a painter. On the other hand, I’m wary of literature: a good book does not necessarily make a good film.
-excerpted from Hitchcock by Francois Truffaut & Helen G. Scott
Photographer: George Dodge

    oldhollywood:

    Francois Truffaut: Are you in favour of the teaching of cinema in universities?

    Alfred Hitchcock: Only on condition that they teach cinema since the era of Méliès and that the students learn how to make silent films, because there is no better form of training. Talking pictures often served merely to introduce the theatre into the studios. The danger is that young people, and even adults, all too often believe that one can become a director without knowing how to sketch a decor, or how to edit.

    Truffaut: In your opinion, should a film suggest painting, literature, or music?

    Hitchcock: The main objective is to arouse the audience’s emotion and that emotion arises from the way in which the story unfolds, from the way in which sequences are juxtaposed. At times, I have the feeling I’m an orchestra conductor, a trumpet sound corresponding to a close shot and a distant shot suggesting an entire orchestra performing a muted accompaniment. At other times, by using colours and lights in front of beautiful landscapes, I feel I am a painter. On the other hand, I’m wary of literature: a good book does not necessarily make a good film.

    -excerpted from Hitchcock by Francois Truffaut & Helen G. Scott

    Photographer: George Dodge

    Tagged: Alfred Hitchcock Directors Francois Truffaut Georges Méliès

    Posted on May 25, 2011 via Old Hollywood with 860 notes

    Source: oldhollywood

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